
At the time of filming this movie, Kôji
Yakusho had already been an accomplished actor for several decades in his home
country, much like his director Kiyoshi Kurosawa, who is not related to Akira
Kurosawa. This movie marks the
first time these two men worked together, and they have worked now on six films
together since. After this film, the two made the 2001 film Pulse, which later got an American version in 2006 starring Kristen Bell and several other up and comers in Hollywood.
I
found it interesting that some of the sets were very large spaces with
perfectly placed props that people used.
After such a long time making movies, there should have been more planning
involved to make more sense of things like perfectly placed seats and objects
to use as weapons. There were some
clever bits when using light sources for triggers of the killings and then the
Inspector's constantly finding need to look at similar light sources.
Over
the years in Japan as with any country, the storytelling has improved. Cure takes a supernatural twist over
movies such as Jigoku, which we watched in class. The levels of Hell are depicted over a man's guilt for a
crime he wanted to report, but didn't due to peer pressure not to. In a twisted manner, the movie Suicide Club's beginning is similar to Cure's in which there is some serious moments
and then a wide angle shot of something that strikes me as funny. The way the students jumped into the
oncoming train in their suicide pact was shot in a way that although
horrifying, looked really strange and made me laugh, not shriek in horror.
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