Continuing on the Universal franchise, Bride of Frankenstein follows the monster back into the village to find Doctor Frankenstein in order to create a companion for his original creation so they can live together outside of the regular world's way. Boris Karloff in this movie plays the Monster for his second time of three movies, with only the House of Frankenstein made in 1944 being his only in the series where he's not the monster. I was impressed to see that he was taught to speak in the role this go around, since the first Frankenstein all he did was grunt for the most part.
With only four years separating releases of these titles, the advances in makeup FX was noticeable to me as that's something I look at when watching a horror movie now. The Bride had smaller but still noticeable scarring on her neck where the good doctor operated on her that didn't look fake, but like someone skilled made careful cuts to keep the skin in tact and easily reapplied.
Something that is fascinating to me is that this was a pre-code horror movie, as were much of Universal's films at the time. Horror movies didn't get much Code attention until sound was added because the terrified screams and the chilling soundtrack made the audiences squeamish. The other movies out during this time that showed graphic violence and sexual undertones got more attention up to that point.
Comparing this movie to the clips from class, I reviewed The Island of Lost Souls again at home to get a full feeling of Dr. Moreau's, played extraordinarily creepy by Charles Laughton. Of the two doctors, there was a lot more remorse for his wrongdoings out of Frankenstein in Bride than Moreau had up to his demise. It was only through The Monster's urging did Dr. Frankenstein agree to create another so hideous to keep him company.
I did enjoy both as I could watch them more than once and still find new things in each movie. There wasn't an over stylized or graphic violence to either movie and what violence there was is now considered tame in comparison to today's gore for the sake of gore films. Back in the days of the first screenings of these films, however, the story might have been different.
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